
Luke Arnold drives into a drought-stricken town where a priest shot five men, and the show's best quality is that nobody wants to explain why.

The production is gorgeous, the submarine is a set worth living in, and the scripts needed three more drafts.

Thomas Jane plays an American ex-con hiding in the tropics, and the show's best trick is treating Cairns like it is as foreign as he finds it.

Nine says Stan is growing, and it is, but the margins tell a more cautious tale.

Nine cut Stan's original commissions from twelve to eight in 2023, and the company has not explained the rationale publicly.

Stan's Dickens sequel is set in colonial Australia, stars Thomas Brodie-Sangster as a surgeon, and is exactly as unhinged as that pitch meeting must have been.

Jamie Dornan wakes up in a hospital in the middle of South Australia with no memory, and the show is smart enough to let that confusion do most of the heavy lifting.

A show about a teenage pregnancy in Bankstown should not be this funny, this specific, or this invisible to the broader Australian audience.

Rebecca Gibney and Charles Edwards inherit a vineyard in Central Otago, and the show knows that the landscape is doing most of the acting.

Stan's backpacker thriller uses Byron Bay the way horror films use fog: it looks beautiful and you cannot see what is coming.

Stan's teen pregnancy comedy set in Western Sydney treats its multicultural cast as furniture rather than subject matter, and that is the most radical thing about it.

Nicole Kidman plays a wellness guru who microdoses her guests, and somehow that is not the strangest choice the show makes.

Stan's Tasmanian noir is slow, cold, and occasionally baffling, and the best scenes are the ones where Emma Booth just stands in the weather.

Three months into lockdown, the streaming queue has replaced the cinema queue, and the couch has replaced everything else.

The cinemas shut, the couch stayed, and the back catalogues on iview and Stan are deeper than you think.

The ABC has a political thriller, Stan has a Cate Blanchett immigration drama, and Foxtel has whatever Foxtel always has, which is good television nobody subscribes to watch.