
This column has spent six years listening to what Australian cinema sounds like, and the answer keeps changing.

The film opened in twelve cinemas, the score opened in none of the conversations about it, and both deserve better.

When the scoring budget dropped, Australian composers did what they have always done: made do, made less, and made it work.
The ceremony was small, the room was full of composers, and nobody outside it knew it happened.

From claymation grief to outback dread to a CGI chimpanzee singing Angels, Australian composers carried more weight in 2024 than the films sometimes deserved.

The score that used to live inside a cinema now lives on a playlist between a lo-fi beats mix and a podcast, and the context changes everything.

From horror to period drama to genre noir, Australian composers carried more of the storytelling in 2023 than anyone gave them credit for.

The year's film calendar is loaded with Australian productions, and the composers attached to them deserve to be named before the reviews land.