Twenty months after Netflix dropped the Trent Dalton adaptation in January 2024, the show has aged into one of the few streamer-funded Australian dramas that didn't get cancelled out of spite.

The shows are good, the platforms are crowded, and the audience is splitting into fragments too small for any one show to own.

The year's best shows were on six different platforms, and nobody watches all six, which means every show was somebody's blind spot.

Every Australian streamer has a true-crime limited series in development, and the genre is starting to eat itself.

The longest-running Australian drama of the streaming era is a women's prison show that outlasted every prestige competitor by refusing to be anything else.

The year's best shows were about confinement, isolation, and people stuck in places they could not leave, which felt about right.

Three months into lockdown, the streaming queue has replaced the cinema queue, and the couch has replaced everything else.

The cinemas shut, the couch stayed, and the back catalogues on iview and Stan are deeper than you think.

The ABC has a political thriller, Stan has a Cate Blanchett immigration drama, and Foxtel has whatever Foxtel always has, which is good television nobody subscribes to watch.