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Elena Kats-Chernin's score for Adam Elliot's claymation opus is patient, fragile, and refuses to tell the audience when to cry.

Elliot's characters are made of plasticine and painted with fingerprints, and the imperfection is not an aesthetic choice; it is the whole argument.

Elliot's second feature is a hoarder's inventory of loss, rendered in plasticine and voiced by Sarah Snook, and it is the best Australian film of 2024.

When a film splits between live action and fantasy animation, the score has to bridge two visual languages without flattening either.