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Elena Kats-Chernin's score for Adam Elliot's claymation opus is patient, fragile, and refuses to tell the audience when to cry.

The selection of Memoir of a Snail as Australia's Oscar entry is a bet on craft over scale, and the bet is sound.

Elliot's characters are made of plasticine and painted with fingerprints, and the imperfection is not an aesthetic choice; it is the whole argument.

Elliot's second feature is a hoarder's inventory of loss, rendered in plasticine and voiced by Sarah Snook, and it is the best Australian film of 2024.