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Blanchett produces Australian work, funds Australian stories, and has not starred in an Australian film in over a decade, and nobody quite knows how to talk about that.

The year's best shows were about confinement, isolation, and people stuck in places they could not leave, which felt about right.

The ABC made a show about immigration detention; Netflix put it in front of sixty million subscribers; and suddenly Australian policy was international content.

A show about immigration detention centres premiered during a pandemic lockdown, and somehow the timing made it more urgent rather than less.