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Baz Luhrmann's 1992 comedy is sold as a story about dance. It is also a story about an Australian champion who has to be taught his own steps by a Spanish-Australian family in their own house.
It was not my family's story. It was the shape of my family's story, put on a screen in a country that had never once bothered to hold it before.
The question is not whether Australian films are good enough; it is whether the industry has decided who it is talking to.