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Every Australian streamer has a true-crime limited series in development, and the genre is starting to eat itself.

We keep making films about real violence and calling it necessary, and the question of who benefits has not been answered.

Wright's procedural gives Joel Edgerton nothing to do except wait, and then makes you understand why that matters.
From The Family to The Clearing, Australian screen culture returns to cults because the conditions that produce them never quite go away.