TAG / 04 PIECES

[2026]

The shows are good, the platforms are crowded, and the audience is splitting into fragments too small for any one show to own.

The film opened in twelve cinemas, the score opened in none of the conversations about it, and both deserve better.

The programme is strong, the Australian titles are stronger, and the question of who will be in the audience remains.

The orchestras are smaller, the budgets are tighter, and the music is better for both.

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